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My love for reading began at a young age—curled up with a book, a fluffy blanket, a warm candle flickering nearby, and a cup of London Fog tea from Harney & Sons in hand. There’s nothing quite like escaping into another world, especially a good dystopian novel (bonus points if it’s by Tahereh Mafi, my favorite author).

When I moved to Yuma, Arizona, in 2023, I was surprised to find how limited the local bookstore scene was. Aside from a small, soon-to-close shop downtown and the ever-reliable Barnes & Noble, there weren’t many spaces for readers to gather, connect, or simply exist in the cozy, book-loving atmosphere I’d always craved.

That’s what inspired me to create Sage and Story—a place that’s more than just a bookstore. I wanted to offer the community a true literary haven: a welcoming, peaceful space to read, chat over tea, join a book club, or just browse without the pressure of big-name retail.

I started small, selling used books from home with a dream of one day opening a storefront. For now, it’s all about small steps and shared stories. By this time next year, I hope to be running Sage and Story from a cozy, shared space—turning a passion into a full-time purpose.

Living Between the Lines is the debut solo LP from Frank Meyer. A long time coming,

Meyer’s been hinting at it for a while now with Bandcamp exclusive tracks, covers on

tribute albums, acoustic solo shows, and his acclaimed collaboration album with Eddie

Spaghetti of the Supersuckers. Like the Eddie collab, LBTL is out on Kitten Robot

Records. The 11-song album adds touches of blues and soul to Meyer’s expected high-

energy rock ‘n ’roll, revealing a more mature voice. He is joined for duets by longtime

friend and collaborator Lisa Kekaula of the Bellrays on the title track, Runaways icon

Cherie Currie on “Piece of Me” and Spaghetti himself on “Partners In Crime.”

An award-winning musician, filmmaker and author, Meyer has a track record that covers

rock ‘n ’roll, punk, heavy metal, blues, and country. Known for his work with everyone

from Rock ‘n ’Roll Hall of Famers James Williamson (Iggy & the Stooges) and Wayne

Kramer (MC5) to legendary punk act FEAR, Meyer has carved out a career full of

unlikely collaborations, hard work, searing guitar playing, and ace songwriting skills.

“It meant a lot to have these particular vocalists join me on my solo debut,” says Meyer.

“Lisa and I go way back to my earliest days of the music scene in L.A.. Eddie is also an

old friend and touring buddy, and was a big inspiration in making this album. Cherie saw

the Streewalkin’ Cheetahs early on and helped us get signed. So all of them are dear to

me and have been integral in my career.”

Releasing on the heels of Triptides’ June 2025 album Shapeshifter, the six-song EP Night Shift arrives as the band lands in Europe for a two-week tour.  Comprised of four songs recorded during the Shapeshifter sessions and two newly recorded covers, the EP is classic Triptides.  From the dreamy fuzz ‘n’ faze of the opener “Pendulum,” to the bouncy groove of “Lonely Planet” and the interplanetary funk closer “Nuvens,” Triptides seems to be dimming the lights for an intimate late-night party, the Night Shift.  The EP comes out on Halloween, which is also the date of the first show on the European tour.  Leading up to the October 31 release, two singles will prime fans for the full EP: “Pendulum,” out on September 26, and “Spooky,” (a cover of the Halloween favorite originally recorded by Classics IV) out on October 17.  Like Shapeshifter, the EP is on Label 51 records worldwide, also home to Mojave Phone Booth, the Rain Parade and Dream Syndicate.

Over the last fourteen years and dozens of albums and singles, Triptides have traversed a hyper color musical landscape of psychedelic rock, Laurel Canyon folk and spaced-out jazz pop. Each track can be traced back to group leader Glenn Brigman’s unique ability to craft and explore a seemingly infinite number of dimensional melodies and harmonies.  With every line of Brigman’s airy vocals that dance across the tape and into the speakers, stoners, trippers and lovers alike are transported to a sweet and familiar place, lifted by chiming guitars, hypnotic drums, glittering pianos and hallucinogenic fuzz.  On stage in Europe, Brigman will be joined by long-time collaborator (and current resident of Copenhagen) Stephen Burns on guitar and the rhythm section of Tyler English on bass and Craig Jacobs on drums.

Formed in 2008 in Nashville by vocalists/guitarists Dexy and Chris Valentine but now based in Los Angeles, Magic Wands are known for a shimmering, dreamy sound that melds elements of shoegaze, dreampop, postpunk, and goth. Their music utilzes heavily-textured guitars, synth drones, and ethereal vocals to conjure an otherworldly atmosphere, with emotionally engaging lyrics.

They first cast their spell with the 2012 debut album Aloha Moon, an introduction to their world of glowing guitars, hypnotic rhythms, and lyrical mysticism. That vision deepened and expanded with Jupiter (2016), Abrakadabra (2018), and Illuminate (2020), each release charting new constellations in their evolving sound. After further experimentation and exploration on Switch 2023, the band continues evolving their journey with Cascades. Sharing melodic hooks of their debut album Aloha Moon and the deconstructed foundation of the last album Switch. Cascades evoke a sense of romance and nostalgia, sweeping you into an introspective and dreamlike landscape of castles, gardens, rivers, and forests. With dark post-punk overtones built on the alchemy of dark dreampop, goth-tinged postpunk, and a touch of cosmic romance. 

Excited to finally release their album into the world, Dexy says, "We’re happy that it’s completed and coming out the right time of year. It feels like a perfect fall/winter album," Chris adds, "We spent months getting the album all together.. so I'm happy now it's getting out there."

Embodying the heart and soul of country music, Southwestern songstress Shari Rowe redefines what it means to captivate. Bringing authenticity, intentionality, and a timeless blend of country and americana, Rowe’s “voice, personality, and story will mesmerize you” (Missy, Center Stage Magazine). From international tours in Poland to charity events, to opening for big name artists like Wynonna Judd and LeAnn Rimes, Rowe has seen all sides of the industry and proven her invaluable talent. Closer to home, the Arizonan continues to champion rising talent and the spirit of true country music as co-host of the local radio series Arizona on the Rise. Shari Rowe isn’t just a trailblazer—she’s a guiding light in modern country music. With every song she reminds us where the genre has been, and where it’s headed next.

After facing a frightening health scare, country singer-songwriter Shari Rowe turned to music for strength. Her upcoming single, “Too Good To Go,” began as a poem written the night she was told she might have Multiple Myeloma, a form of blood cancer. What started as fear turned into gratitude, transforming into one of her most personal and powerful songs to date. Weeks later, doctors confirmed a rare but non-life-threatening autoimmune condition, but the song remains a heartfelt reminder that life is, indeed, too good to go.

“I love that I’ve got so much to lose — that line is the heartbeat of the song.” Shari Rowe